The city of Richmond, Virginia has a long, complex and evolving history.
As the heat wave moves through the tristate, the temptation of outdoor live events and physical activities presents a challenge to us all—especially young children, our pets and those of us of a certain age. Doctors advice: drink lots of ...
Yossi Milo Gallery is hosting African Spirits, a group exhibition of photographic works taken in and out of the studio tracing the iconic visual legacy of studio portraiture from mid-20th century Africa on contemporary art.
Blerd City Con 3.0 held their two-day conference at St. Francis College in Brooklyn.
Last week, the U.S. Supreme Court temporarily blocked the citizenship question inclusion in the 2020 census.
Titus Kaphar’s “Beyond The Myth of Benevolence,” Kara Walker’s “African/American,” and Aaron Douglas’ “Into Bondage” move slowly across the screen during the sequence of Timothy Greenfield-Sanders’ documentary “Toni Morrison: The Pieces I Am,” where the impact of America’s history of ...
Los Angeles artist ThankYouX (aka Ryan Wilson) will debut his solo exhibition at the BlackBook Presents gallery in Dumbo, Brooklyn Thursday, June 20, 2019.
As a fashion illustrator, Kris Keys creates art from real life, in real time.
In an interview in BOMB magazine a few years ago, artist James Little declared, “I choose to be abstract because that’s where I found my voice, because it best reflects my self-determination and free will.
It’s challenging to review “Us” as there are many spoilers that occur in the first 10 minutes of the film.
The Marvel universe is back and giving more goodies to the fans.
Ailey II’s season at the NYU Skirball Center, March 13-17 continues the fun, festive celebration of Alvin Ailey’s 60-year legacy that the Alvin Ailey American Dance Theater kicked off last year.
A timely African-American panel discussion, Daughters of the Movement: Where Do We Go From Here, will take place in New York City at the ICP Museum March 3 from 6:30 p.m. to 8:30 p.m.
“The Negro Motorist Green Book” arrived back in Harlem the other night where it began.
It’s more poignant than ever that the New Museum’s extraordinary exhibition of sculptor Nari Ward’s work, which runs through May 26 of this year, is called “We the People.”