The Public Theater presents an awe-inspiring revival of William Shakespeare’s “The Tempest” at the Delacorte Theater in Central Park. Direction by Michael Greif, the show ingenuously uses open space, colorful backdrops, sound effects, music, troupes of fairies and commanding actors ...
Dr. Barbara Ann Teer’s National Black Theatre celebrated 47 years of keeping soul alive in Harlem with the eighth annual TEER Spirit Awards Gala, held Thursday, June 18 at the National Black Theatre, located at 2031 Fifth Ave.
History was made this year at the 69th annual Tony Awards, held at Radio City Music Hall, as the inaugural Tony for Excellence in Theatre Education was awarded.
Inspired, educated, motivated—that’s how I felt as I watched “A Band of Angels” at Theater 3, located at 311 W. 43rd St.
Have you ever sat in a Broadway theater and thought of the offering before your eyes, “This is weird”?
In 2004, when Alvin Ailey American Dance Theater’s Dudley Williams was preparing to retire after four decades in dance, an interviewer asked about the unique longevity that characterized his remarkable career.
On making work, San Francisco-based choreographer-artistic director Alonzo King of LINES Ballet insists “my experience has been that working with collaborators in whatever field, you realize you are doing the same thing.”
Dance/NYC, under Executive Director Lane Harwell, has been making strides in and around New York City in a big way.
The Masterworks Theater Company is proving that classic plays are truly timeless.
What's happening in dance for the month of June?
Marjani Forte-Saunders thinks big and dares us to ask questions.
Have you ever gone to a musical and as it starts you sense this amazing energy in the theater?
“Something Rotten!” is one of the most original, creative musical comedies to hit Broadway in a long time! It makes the Renaissance hip and new! And it rejuvenates one’s love and appreciation for the brilliance of William Shakespeare’s work.
To coincide with Stephen Petronio Company’s 30th anniversary season at the Joyce Theater (April 7 to 12), Petronio presented the second and final part of his two-part work “Locomotor/Non Locomotor.”
If you are not familiar with the New York not-for-profit organization that supports Black theater by making sure to let audiences know about the shows and recognizing productions with the VIV Award, then you need to know about the AUDELCO ...