Misty Copeland and Virginia Johnson took center stage seats before a standing-room-only audience at Dance/NYC’s recent symposium on diversity and inclusion in dance.
Just two years ago, the choreographer Paul Taylor announced a plan to reinvent his company, Paul Taylor Dance Company...
Season after season, with dancers coming and going (they are only contracted for two years), the dancers of Ailey II simply never disappoint.
Stephen Karam has put together a captivating drama that looks at the frailties that we all have in “The Humans,” playing at the Helen Hayes Theatre on Broadway.
Upcoming events for the emerging spring season.
Colman Domingo hits the Alzheimer nail on the head with “Dot.”
I was so excited to hear that there was a revival of “Fiddler on the Roof” playing at the Broadway Theatre.
Forest Whitaker, an academy award-winning actor, is making his Broadway debut playing Erie Smith in Eugene O’Neill’s “Hughie” at the Booth Theatre. Now, there is no question that Forest Whitaker is an outstanding actor, producer and director.
“Dare to Be Black: The Jack Johnson Story,” now playing at the Theater for the New City (155 First Ave. between Ninth and 10th streets), is one of the most important plays of 2016.
One hundred and fifty guests attended the Bedford-Stuyvesant/Crown Heights All-Star Reunion Awards Ceremony, which was hosted by Council Member Robert E. Cornegy Jr.
“School of Rock—The Musical” is a high-octane performance!
Theatrical productions should be approached with an open mind.
Continuing its season dedicated to Amiri Baraka, Woodie King Jr.’s New Federal Theatre staged “Most Dangerous Man in America (W.E.B. DuBois).”
In silhouette, accompanied by a soft hum, repeating, reaching and curving from one long limb to the other, Channon Judson’s arms, legs and torso wafts through the space for the opening of Urban Bush Woman’s “Walking With ’Trane” at BAM ...
Specially commissioned for BAM Fisher (Dec. 2 to 5), Souleymane “Solo” Badolo’s “Yimbegre” is a dance for men and a journey about one—Badolo