To coincide with Stephen Petronio Company’s 30th anniversary season at the Joyce Theater (April 7 to 12), Petronio presented the second and final part of his two-part work “Locomotor/Non Locomotor.”
ziza, founder and artistic director of Def Dance Jam Workshop, an intergenerational dance company of artists with and without different abilities, celebrates 20 years of service in the Harlem community with the spring season premier, “Touch…to feel your words” Sunday, May 17. In 2014, they transitioned to the new branding title “Def Dance Jam Community” or DDJC
Last month, the Doris Duke Charitable Foundation named the 2015 class of Doris Duke Artists. Individually, recipients will receive $275,000 in “flexible, multi-year funding as an investment in and celebration of their ongoing contributions to the fields of contemporary dance, theater and jazz,” notes the release.
Two events highlight this month’s dance calendar, Ana “Rokafella” Garcia and Gabriel “Kwickstep” Dionisio’s hip-hop dance group Full Circle (May 1) and Marjani Forte (May 6 to 9).
The Dance Theatre of Harlem's April 2015 season marked the return to its longtime home, New York City Center.
For their weeklong run at the Joyce Theater (March 17 to 22), Ailey II didn’t entice audiences to come see a premiere, nor did the promotions offer anything else that was new. What was expected, however, was a season of good dancing from really good dancers.
hree events headline this month’s calendar: Dance Theatre of Harlem at City Center (April 8 to April 11), EMoves at Harlem Stage (April 10 to April 18) and Ballet Hispanico at the Joyce (April 14 to April 26).
There is no mistaking the now well-tuned signature movement style and vocabulary of Ronald K. Brown. His mix of West African, house and modern dance should probably have its own brand. After all, the “gaga” technique, developed by Ohad Naharin, a contemporary of Brown, when performed by Brown’s dancers, distinguishes them from all others.
For the first time since their 50th anniversary tour in 2012, the National Dance Theatre Company of Jamaica returns to Brooklyn Center for the Performing Arts at Brooklyn College as part of the venue’s 60th anniversary season March 21-22.
Full disclosure, choreographer Robyn Orlin is a white South African and her recent work, “At the same time we were pointing a finger at you, we realized we were pointing three at ourselves,” at Peak Performances (Jan. 24 through Feb. 1), was performed by eight Black Senegalese men from Compagnie Jant-Bi.