A close look into Okwui Okpokwasili’s eyes at the end of a performance confirms how completely she commits to the message in her work.
It seems that any visit to Bronx Academy of Arts and Dance is a not-to-be-forgotten experience.
For nearly one year now, Kyle Marshall and dancers Oluwadamilare Ayorinde and Myssi Robinson have been in deep research, making his first full-evening work, “Colored.”
Together Cuba’s Malpaso Dance Company and Arturo O’Farrill & the Afro Latin Jazz Ensemble’s “Dreaming of Lions” (March 1-4) were a hit! For this debut at the Brooklyn Academy of Music, co-founder, artistic director and dancer, Osnel Delgado of Malpaso, and director, pianist, composer O’Farrill, the Mexican-born, informal ambassador to Cuban musicians, melded dance and music seamlessly.
Toward the end of choreographer/performer Marguerite Hemmings’ “we free” at Gibney Dance
Dance in March offers up an assortment of cultural forms and more.
Count on beautiful bodies moving through space as if there is nothing else to do but dance, and Complexions Contemporary Ballet, the brain-child of co-founders/artistic directors Dwight Rhoden and Desmond Richardson, is a sure bet.
The young choreographer, social activist, Jamaican native living in Brooklyn, Marguerite Hemmings, tops this month’s calendar, and there are two chances to see her this month.
It is not surprising that for Reggie Wilson’s latest work, “Citizen,” he begins by directing his audience to keep thinking about these unreasoned times in the Black man’s history.
The experience begins on the trip to the Bronx Academy of Arts and Dance, now all of 18 years old but still a hidden gem, run by Artur Aviles (artistic director) and Charles Rice-Gonzalez (executive director), that give emerging artists a platform to show their work. The experience continues once you enter the space: part church, part party place, part offices and sectioned off by shimmering strands that form a curtain—part performance space.