Ben Bowman’s “Knucklehead” will open BAMcinématek’s fifth annual New Voices in Black Cinema, running March 26 to March 29.
Nefertite Nguvu’s “In the Morning” will screen at BAM’s New Voices in Black Cinema, Saturday, March 28 at 7:30 p.m., and will be followed by a Q&A with filmmakers and cast members.
Pull out your MetroCard because Thursday, March 26 through Sunday, March 29, it’s time to go to Brooklyn and enjoy the richness that BAMcinematek will present throughout their New Voices in Black Cinema film festival.
Thank you, Netflix, for connecting me with Tituss Burgess. He is the very one who turned Broaday on its head, making a huge splash on Broadway in “Guys and Dolls” and “The Little Mermaid.”
Perhaps you hate to admit that you’ve joined the world in its new obsession, cleverly coined “bw,” binge watching. I will admit to my #bwaddiction to quality TV viewing and the added bonus of watching these provocative documentaries, taunt thrillers and smart comedies, at my convenience, on my choice of devices.
Master chef Wolfgang Puck literally smacked right into me as he was taking his place behind a feast of delicious delights at the invite-only preview of this year’s Governors Ball, the Academy of Motion Picture Arts and Sciences’ official post-Oscar celebration, which will immediately follow the 87th Oscars ceremony Sunday, Feb. 22.
This year, the Oscar team went out all, inviting the Amsterdam News to all of the VIP opportunities associated with the “biggest award night” for the film industry, which is lovingly coined “the Oscars.”
Hearing is great, but listening is needed in crafting interesting stories, and Prince-Bythewood devoted herself to delivering 55 drafts of the screenplay for “Beyond the Lights,” and if you know anything about screenplay structure, her work is sublime.
Next Thursday, and continuing through Black History Month, do expect much, much more from the creative community of color
Filmmaker Abderrahmane Sissako’s bold film, “Timbuktu,” is masterful storytelling from the first frame to the last, leaving a lingering impression of deeply felt human emotion that is presented in richly shaded tones.