I’ve told everyone that “Paramour” is a must-see because it is so original and creative, combining circus acrobatics with romance and a star-is-born storyline.
“A Bronx Tale” is a new musical on Broadway, based on the play by Chaz Palminteri.
Acapella singing has found a home on Broadway with “In Transit,” a new musical playing at the Circle in the Square Theatre on West 50th Street, with a story based in New York City that spotlights the New York City MTA.
Glenn Close is colossal! Her return to the role of Norma Desmond in Andrew Lloyd Webber’s Broadway revival of “Sunset Boulevard” will take your breath away.
The American Bard Theatre Company recently presented “Visionary Voices: 2 Women Writers—3 Big Stories.”
Have you ever gone to a show and found yourself interested yet confused as to what was happening?
When you hear the name Tonya Pinkins, you probably think of the TV actress (she’s most well-known for her role on “All My Children”).
BroadwayCon at the Jacob K. Javits Convention Center this past weekend was the best it gets for theater lovers.
It has been too long in coming but, at last, August Wilson’s “Jitney” has made it to Broadway. And “Jitney” is the best play there!
The “Phantom of the Opera” on Broadway, at the Majestic Theatre, has boldly cast the first African-American as Raoul (Jordan Donica) and the first Asian-American as Christine (Ali Ewoldt).
The year 2016 was full of brilliance for Blacks in theater. The year began with the phenomenal work of Lydia R. Diamond, “Smart People,” which was presented by Second Stage Theater and starred African-Americans Mahershala Ali and Tessa Thompson, along with Joshua Jackson and Anne Son.
I have never seen anything like it. A production that had people dressed as and acting like cats. A musical that has the audience come to an understanding of the things that these animals go through.
When you were a child, did you look forward to the holiday season because you knew that Channel 2 was going to run “Rudolph the Red-Nosed Reindeer?” I know I did.
Poignant, riveting, captivating and disturbing are the words that come to mind as you watch the timeless production of Athol Fugard’s “‘Master Harold’ … and the Boys” playing at the Pershing Square Signature Center on West 42nd Street.
Last Monday night was the annual heartwarming Black Theater family reunion, acknowledgement of extraordinary talent and a love-fest.
I don’t know anyone else who has the gift to interview people—to capture the person’s words and essence, tone of voice, facial gestures, nervous ticks such as stuttering, way of sitting and particular body movements that clearly depict that a different individual is addressing the audience—than Anna Deavere Smith.
The Billie Holiday Theatre recently presented the politically explosive play “Autumn.”
New Federal Theatre in association with the Castillo Theatre is celebrating the 125th birthday anniversary of Zora Neale Hurston with a wonderful play penned lovingly and respectfully by Laurence Holder entitled “Zora Neale Hurston, A Theatrical Biography.”
Lynn Nottage is a gifted playwright. She can take a real situation and place it into a play in a way that an audience can understand, identify with and deeply care about.
Nominations for this year’s AUDELCO Awards, the “VIVs” as they are affectionately called, after late founder Vivian Robinson, were recently announced.
“Marie and Rosetta” is a production that needs to be seen! Set in Mississippi in 1946, it tells the story of legendary gospel singer Rosetta Tharpe and her protégé Marie Knight. Tharpe, a popular singer who sold more than a million records, had to deal with prejudice and racism.
I remember how excited I was when it was first announced that Norm Lewis was going to be cast as the Phantom in “The Phantom of the Opera,” on Broadway, making him the first Black man to play the role in the Broadway production.
“Motown the Musical” is back on Broadway. It’s a completely engaging, soulful trip down memory lane, mixed with serious moments that echo the discrimination that Blacks have endured in this country.
You will love “She Loves Me,” playing at Studio 54. This musical comedy is just a good time at the theater.
In the audience, you get to experience a captivating story, phenomenal singing and some of the most stunning, graceful and lovely acrobatics you’ve ever seen.
Woodie King Jr.’s New Federal Theatre recently held a festive gala benefit at Trump Place, 220 Riverside Blvd., honoring Novella Nelson and Melvin Van Peebles, two of many actors and directors who have worked at NFT over the theater’s 46-year history. Van Peebles was introduced by Academy Award winner Estelle Parsons. Nelson was introduced by former Mayor David Dinkins.
Tamara Tunie, beloved star of “Law & Order: SVU,” is onstage in a new, world-premiering drama called “American Son.”
“The Total Bent” is a musical that highlights how corrupt some TV evangelists can be.
"Hamilton" and "The Color Purple" win big at the Tony Awards as diversity shines.
Black theater was recognized for its brilliance and talent on and off Broadway at the 61st annual Drama Desk Awards, held Sunday, June 5 at the Town Hall. “Shuffle Along” received the ultimate honor and several more, “The Color Purple” was recognized and “Eclipsed” received special attention on a few levels.
Watching “Skeleton Crew” is like seeing a slice of life. “Skeleton Crew” is theatre at its best—a prime example of how theater imitates life.
If you go to the theater to be moved, to cry and to feel inspired, then you must make plans to see the current revival of “Les Miserables,” playing at the Imperial Theatre on West 45th Street.
“Turn Me Loose” is a tour-de-force that celebrates Dick Gregory’s brilliance. Joe Morton is quick-witted, funny and poignant as the iconic comedian.
Joe Morton, who recently won an Emmy for his portrayal of Eli Pope on ABC’s “Scandal,” has returned to the New York stage, playing stand-up comedian and activist Dick Gregory in “Turn Me Loose”
The Drama Desk Awards honor the best in Broadway, Off-Broadway and Off-Off Broadway theater.
Broadway is a vehicle through which many different topics can be discussed, including those that may be difficult for people to approach and deal with.
“Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That Followed,” is one of the most significant, sensational, stirring musicals to come to Broadway in some time. It gives an endearing, historical record of “Shuffle Along,” the first Black musical staged on Broadway in 1921.
Every year I look forward to UniverSoul Circus returning to New York and it never disappoints.
Is “Head of Passes” exceptional theater? Let me answer that question with two words—Phylicia Rashad (so yes!). Rashad plays Shelah, the ill matriarch of a Louisiana family who is dying and needs to tell her children.
How much do you know about Sugar Ray Robinson?
Stephen Karam has put together a captivating drama that looks at the frailties that we all have in “The Humans,” playing at the Helen Hayes Theatre on Broadway.
I was so excited to hear that there was a revival of “Fiddler on the Roof” playing at the Broadway Theatre.
Colman Domingo hits the Alzheimer nail on the head with “Dot.”
Forest Whitaker, an academy award-winning actor, is making his Broadway debut playing Erie Smith in Eugene O’Neill’s “Hughie” at the Booth Theatre. Now, there is no question that Forest Whitaker is an outstanding actor, producer and director.
“School of Rock—The Musical” is a high-octane performance!
Theatrical productions should be approached with an open mind.
The year 2015 was one of the most magnificent years that Blacks in theatre have experienced for some time.
Maurice Hines is starring in a new show, “Tappin’ Thru Life,” at New World Stages on West 50th Street.
The Big Apple Circus is back at Lincoln Center, and it’s a delightful family experience.
Last Monday, Symphony Space was the place to be for members of the Black theater family