Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The annual International Jazz Plaza de la Habana attracts musicians from around the world.
The Jazz Gallery, known for introducing its audiences to exciting young guns and those musicians who refuse to follow the Merriam-Webster definition of a “conformist”, will present its Inaugural Jazz on Film Festival Jan. 6 and Jan. 7.
This New Year of 2017 behooves every citizen to be active, stay vocal and remain vigilant. For such a diligent task, mandatory indulgence in some serious partying until the stars rattle in the sky and that cow refuses to jump over the moon.
Bob Cranshaw, the versatile bassist whose great sound led him beyond the regions of jazz and his long musical relationship with Sonny Rollins to “Sesame Street” and to being a regular pit member in Broadway shows, died Nov. 2, at his home in Manhattan. He was 83.
The holidays are in bloom with joyous events taking shape like a dashing Harlem reindeer.
Jimi Hendrix, the most influential guitarist in rock music history, who distinctly added to the genre’s then speeding comet with his electrifying brand of blues and funk, will be celebrated at the Apollo Theater Nov. 26, one-night only, with two dynamic performances at 7 p.m. and 11 p.m.
The influential Cuban musicians who introduced Latin sounds and Afro-Cuban rhythms to New York City began in the late 1930s, with the trumpeter and bandleader Mario Bauza, Machito’s foster sister and vocalist Graciela in the 1940s and Chano Pozo.
No one swings harder than Lou Donaldson on the alto saxophone, as he demonstrated last week celebrating his 90th birthday at Dizzy’s Club Coca Cola. As usual, his smooth performance required multiple standing ovations, including one as he took the stage.
As the Black Panther Party celebrates its 50th anniversary throughout the United States, Bobby Seale recently stopped at the Schomburg Center for Research in Black Culture. He mesmerized an enthusiastic audience with corrected untruths and future goals for the people.
Trio 3 is a collaborative of iconic explorers and renowned bandleaders that include the bassist, composer Reggie Workman, the saxophonist, composer and arranger Oliver Lake and the drummer Andrew Cyrille, who over the past six decades have defined the music on their own terms.