Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Allen Toussaint, the pianist, songwriter, arranger and record producer whose whimsical, funk-laced songs influenced the New Orleans R&B scene, died Nov. 10 while on tour in Madrid.
Henry Grimes, the revered bassist who played a role in expanding the jazz language in the 1950s, along with Albert Ayler, Sonny Rollins, Charles Mingus and Cecil Taylor, recently celebrated his 80th birthday on the Upper East Side at Jan Hus Neighborhood Center.
Sistas’ Place in Brooklyn is more than a jazz club. It is a jazz family that supports the music and is involved in community activism.
Jazzmobile the nonprofit organization founded in the 1960s to bring live jazz to New York City communities, has moved indoors for the fall. Nov. 13 at 7:30 p.m., its benefit concert “Keep the Music Playing” takes place at the Sanctuary in First Corinthian Baptist Church (FCBC), 1912 Adam Clayton Powell Blvd. at 116th Street.
Since the early 1960s, Los Angeles has been acknowledged for its West Coast cool jazz sound perpetuated by the composer-pianist Dave Brubeck and the vibraphonist Cal Tjader.
Tiny pin-lights adorn the steep narrow staircase ascending to the top, where a young lady sits, politely greeting and taking cash ($10). As one pays, a thick black curtain blocks the view from the inside, although the enticing music, cheerful chatter and clinking glasses can be heard, which only peaks your anticipation of getting behind that curtain.
The 1960s were heavily colored with shaded overtones of rebellious youth implementing revolutionary tactics against an indifferent government.
With the generational influence of Brooklyn native musicians Cecil Payne, Max Roach and Randy Weston, the keeper of African music and culture, the borough will present its first installment of the BRIC JazzFest.
With the summer dispersing, it’s fast leaving us with just memoires of those wonderful outdoor jazz concerts that featured the sounds of nature with Gotham’s chirping bird solos and those long improvised notes of the crickets that sometimes persisted for hours.
Over the years, there has been an abundance of information written on the Black Panthers, as well as a few off-Broadway plays and short film clips.