Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Regardless of America’s ever-changing situation, Black music has always been its soundtrack depicting the mood of the times, from war to peace, lynchings to chain gangs, segregation, civil disobedience, integration, police brutality and nonviolent resistance.
Some of the most influential jazz musicians to ever play an instrument recorded on Blue Note Records, founded in 1939 by Alfred Lion and Max Margulis, with Francis Wolff joining with them shortly afterwards.
The on-going jazz fable is the music is dying, and it has yet to reach a younger audience. Hopefully, eager enthusiasts will be able to kick six feet of dirt on this mindless concept after venturing into Minton’s to witness the collaboration with the Harlem School of the Arts Dec. 7.
The neighborhood bar in Harlem has become little more than a memory only cherished by the community’s elders.
He was called “Little Jimmy Scott,” but his heart was that of a giant.
During Russell Gunn’s recent one-nighter at the Blue Note jazz club, his music took the audience to the musical cliff’s edge, and as the pebbles fell beneath their feet, they breathlessly moved to a spiked groove.
Cassandra Wilson, the most daring of female jazz vocalists, whose style transcends categories with its infusion of soul and blues, will carry on at the Blue Note jazz club (131 W. Third St.) Oct. 16 through Oct. 19, with two shows each night at 8 p.m. and 10:30 p.m.
‘Keep On Keepin’ On’ is one of the best films of the decade. It chronicles the life of legendary jazz trumpeter Clark Terry (age 89 at the time of filming) focusing on a period when he was battling diabetes-related complications while working with his young protege, pianist Justin Kauflin (then age 23).
For pianist-composer Randy Weston, jazz is more than a flow of hip music with improvisational statements, it represents the roots of Africa, the origin of jazz.
Gerald Wilson, a big band leader and trumpeter whose fountain of jazz compositions and arrangements became a pivotal force, influencing eight generations of musicians, died Sept. 8 in his home in Los Angeles.