Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The 1960s were heavily colored with shaded overtones of rebellious youth implementing revolutionary tactics against an indifferent government.
With the generational influence of Brooklyn native musicians Cecil Payne, Max Roach and Randy Weston, the keeper of African music and culture, the borough will present its first installment of the BRIC JazzFest.
With the summer dispersing, it’s fast leaving us with just memoires of those wonderful outdoor jazz concerts that featured the sounds of nature with Gotham’s chirping bird solos and those long improvised notes of the crickets that sometimes persisted for hours.
Over the years, there has been an abundance of information written on the Black Panthers, as well as a few off-Broadway plays and short film clips.
As the long hot summer sun bows to the shorter brisk days of fall and winter, jazz enthusiasts fold up their leisure chairs as the outdoor free jazz concerts become a warm, swinging memory.
Gary Keys, the producer, writer and director who brought history and a lively perspective to his many popular documentaries on Count Basie and Duke Ellington, died Aug. 9 in Manhattan.
The phrase “Bird lives” refers to Charlie “Bird” Parker’s iconic life as the most influential alto saxophone player in jazz.
The pianist, arranger and composer Danny Mixon is underrated on the jazz radar screen, but his music and contributions to the field are a big deal.
Before 1954, Newport, R.I., was a quiet resort town for the rich who loved sunshine, tennis, their sailboats, yachts and, of course, fresh seafood.
The swinging bands of salsa flourishing with its big brass sound leaked out into the streets from social clubs to Bronx spots such as the Carlton Terrance and Concourse Plaza to Manhattan’s Corso and Riverside Plaza.