Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The holidays are in bloom with joyous events taking shape like a dashing Harlem reindeer.
Jimi Hendrix, the most influential guitarist in rock music history, who distinctly added to the genre’s then speeding comet with his electrifying brand of blues and funk, will be celebrated at the Apollo Theater Nov. 26, one-night only, with two dynamic performances at 7 p.m. and 11 p.m.
The influential Cuban musicians who introduced Latin sounds and Afro-Cuban rhythms to New York City began in the late 1930s, with the trumpeter and bandleader Mario Bauza, Machito’s foster sister and vocalist Graciela in the 1940s and Chano Pozo.
No one swings harder than Lou Donaldson on the alto saxophone, as he demonstrated last week celebrating his 90th birthday at Dizzy’s Club Coca Cola. As usual, his smooth performance required multiple standing ovations, including one as he took the stage.
As the Black Panther Party celebrates its 50th anniversary throughout the United States, Bobby Seale recently stopped at the Schomburg Center for Research in Black Culture. He mesmerized an enthusiastic audience with corrected untruths and future goals for the people.
Trio 3 is a collaborative of iconic explorers and renowned bandleaders that include the bassist, composer Reggie Workman, the saxophonist, composer and arranger Oliver Lake and the drummer Andrew Cyrille, who over the past six decades have defined the music on their own terms.
The bold tone of tenor saxophonist Chico Freeman and his compositions keep his music glowing on the jazz rainbow.
While waiting for my Monterey flight in the Los Angeles Airport, I noticed a familiar person sitting quietly to my left.
Craig Harris, the trombonist, composer and arranger, is an innovative musician constantly exploring the realm of this music, which is easily experienced through his two diverse groups, The Tailgaters Tails and Nation of Imagination.
Stage presence has always been a questionable affair when it comes to jazz musicians.