Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Feb. 25, The Apollo Theater presents “AFROPUNK Unapologetically Black: The African American Songbook Remixed, A Celebration of Black Protest Music” at 7:30 p.m.
Al Jarreau, the only vocalist to win Grammys in pop, R&B and jazz through his deep sea of versatility, died Feb. 12 in Los Angeles.
As part of Black History Month, the National Jazz Museum in Harlem will present Desert Island Discs with the trumpeter/composer Nicholas Payton (tonight) Thursday at 7 p.m.
Chuck Stewart, whose portraits and improvisational photographs are recognized at a glance similar to identifying a Coltrane tune after a few notes, died Jan. 20, in Teaneck, N.J.
Like his fellow native Brooklynites (Cecil Payne, Max Roach and Randy Weston), the pianist Ed Stoute wears his Brooklyn badge of honor with distinction as he celebrates the jazz tradition with spirited inspiration.
The annual International Jazz Plaza de la Habana attracts musicians from around the world.
The Jazz Gallery, known for introducing its audiences to exciting young guns and those musicians who refuse to follow the Merriam-Webster definition of a “conformist”, will present its Inaugural Jazz on Film Festival Jan. 6 and Jan. 7.
This New Year of 2017 behooves every citizen to be active, stay vocal and remain vigilant. For such a diligent task, mandatory indulgence in some serious partying until the stars rattle in the sky and that cow refuses to jump over the moon.
Bob Cranshaw, the versatile bassist whose great sound led him beyond the regions of jazz and his long musical relationship with Sonny Rollins to “Sesame Street” and to being a regular pit member in Broadway shows, died Nov. 2, at his home in Manhattan. He was 83.
The holidays are in bloom with joyous events taking shape like a dashing Harlem reindeer.