Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Dr. Lonnie Smith, the ever swinging organist and composer, brings his Hammond B-3 to the Jazz Standard (116 E. 27 St.) June 28 to July 3. Smith’s audience prescription for his engagement will be plenty of national hip rhythms from blues to soul and straight jazz, no chaser.
It’s not the norm, a jazz gig held at 4 p.m. in the afternoon June 18 at the Blue Note jazz club (131 W. 3rd St.), featuring the renowned poet Sonia Sanchez, accompanied by her friend, the brilliant alto saxophonist/composer Gary Bartz.
If you make one commitment for this early summer season, make it to see Joe Morton in “Turn Me Loose,” the greatest role of his acting career to date, as he portrays the comedian and activist Dick Gregory.
Last week, while visiting Atlanta, I was introduced to a nice little jazz club on that scene called Kat’s Cafe.
In today’s cluttered world of flying plastic bags, where the paparazzi are idolized for stalking celebrities, photographers such as Coreen Simpson and Chuck Stewart take their world-renowned photographs the old fashioned way—with permission and creativity.
Prince, the prolific artist who elevated the genres of funk, R&B, rock, blues and pop to greater explosive heights while implementing salacious sexual lyrics, love desire and political awareness died April 21, at his Paisley Park estate in Chanhassen, Minn.
On April 14 the Greater Harlem Chamber of Commerce, celebrating its 120th anniversary and New Heritage Theatre Group, celebrating its 52nd anniversary join forces with the Eastern Mediterranean Business Cultural Alliance to present a first-time gathering of Eastern Mediterranean musicians and blues singers from Harlem.
There is a 10-feet high bust of Charlie “Yardbird” Parker, the legendary alto saxophone player in his hometown of Kansas City, Kan. On March 30 Parker’s spirited presence became a mainstay in Harlem as he was inducted into the Apollo Theater’s Apollo Walk of Fame.
“Dare to Be Black: The Jack Johnson Story,” now playing at the Theater for the New City (155 First Ave. between Ninth and 10th streets), is one of the most important plays of 2016.
The Brits and some Americans became quite upset upon hearing whispers that the British actor Idris Elba could possibly become the first Black James Bond, the popular worldwide fictional secret agent 007, martini’s shaken, not stirred.