Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
Rain, the demon of outdoor jazz festivals, spread its hysterical tears over the Detroit Jazz Festival last week, denying bassist Stanley Clarke and Dr. Lonnie Smith’s octet the opportunity to close the festival on its Labor Day finale.
It’s very difficult for any band to maintain a high profile for an extended period of time, but saxophonist Patience Higgins and the Sugar Hill Quartet have kept Harlem swinging for more than 20 years.
John Blake Jr., who continued the early tradition of bringing the violin into the jazz arena and making its voice heard with the music of Africa to avant-garde, R&B, blues and spirituals, died Aug. 15 in Philadelphia.
Charlie Parker, the pride of Kansas City, Kan. would have been 94 on his birthday, Aug. 29. The festival named in his honor will celebrate its 22nd year Aug. 22 to Aug. 24.
The Jazz in the Valley Festival, which commences Aug. 17, has an outstanding lineup of musicians to get Big Apple jazzheads out of their city complacency and on the highway or train to Poughkeepsie, N.Y., for the 14th annual festival in Waryas Park.
When you are successful, it is easy to rest on your laurels, but a lackadaisical attitude was never a part of George Wein’s mentality, which is why his Newport Jazz Festival just celebrated its 60th year.
In the midst of this Harlem gentrification, more venues are opening their doors to live jazz. Every Thursday, the Lenox Saphire (341 Lenox Avenue at 127th Street) brightens with The Phil Young Experience and Friends.
The history and culture of jazz will be given a platform July 24 (tonight) at 7 p.m., when the Abyssinian Jazz Vespers, in association with the 2014 Harlem Music Fest, presents “Post ’50s Jazz, the Artists, the Culture, the Cool.” It will be an informative music perspective on the developmental seeds of “modern jazz” in Harlem featuring a panel of well-versed musicians, including trumpeter, composer and arranger Charles Tolliver; vocalist Eunice Newkirk; pianist and composer Onaje Allan Gumbs; and bassist and composer Mickey Bass.
New York City jazz fans know it’s summer when they notice the birds flapping their wings over Harlem, grooving to the Summerfest Jazzmobile running full steam from July to August.
Bobby Womack, who became a force on the R&B scene for over five decades, couldn’t be called a jazz vocalist, but during his reign, his gravelly, soulful voice surely influenced a host of R&B singers and inspired jazz vocalists along the way. He was acknowledged in the rock world for writing and originally recording the Rolling Stones’ first U.K. No. 1 hit, “It’s All Over Now.”