Ron Scott writes a weekly column “Jazz Notes” for the Amsterdam News, and contributes to the monthly publications Positive Community and Network Journal.
He is the senior editor of “Forever Harlem,” (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit “Harlem is… Music,” exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York
As a freelance writer Scott has written for the New York Times, Vogue Magazine, the Daily News, Time Out New York, Johnson Publications and ABC Radio.
He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), National Writers Union, and a graduate of Florida A&M University, and New York University’s Graduate School of Social Work.
He has lectured at the City University of New York, Howard University and shared his expertise on music panels throughout the United States.
The intuitive bassist and educator whose style was a perfect fit for such varied musicians from Duke Ellington to Dizzy Gillespie, Nina Simone, Cecil Taylor and Carmen McRae died Dec. 2 in his home in Montclair, N.J. He was 78.
New York’s longest running jazz concert series, Jack Kleinsinger’s “Highlights in Jazz,” kicks off its 43rd season with a 42nd anniversary gala Feb. 19, featuring vocalist Catherine Russell and her band making their debut appearance.
Hip-hop, jazz, blues, gospel, R&B and funk are all members of the Black music family. Like its older brother blues, hip-hop comes directly from the experiences and perspective of the singer or rapper.
The 2015 Harlem Fine Arts Show, which takes place Feb. 12 through Feb. 15 at the Riverside Church in Harlem, recently kicked off with a preview reception at The New York Times Corporate Headquarters.
Upon a recent visit to Dizzy’s Club Coca-Cola (Jazz at Lincoln Center), it was quite evident the star of the hour was not an individual musician, but the all-inclusive New Century Jazz Quintet.
When it comes to television and film, jazz takes a backseat as the stepbrother to hip-hop, soul or pop music, so it was somewhat of a surprise when J.K. Simmons won Best Supporting Actor in a Motion Picture for the jazz-based film “Whiplash”.
The noted percussionist Steve Kroon, who has played many jazz venues nationally and internationally, will make his debut Jan. 16 at Trumpet’s Jazz Club, 6 Depot Square, Montclair, N.J.
No one wants to be home New Year’s Eve. It is the evening of celebration, bringing in the New Year with a bang and big plans with wishes for the year.
Regardless of America’s ever-changing situation, Black music has always been its soundtrack depicting the mood of the times, from war to peace, lynchings to chain gangs, segregation, civil disobedience, integration, police brutality and nonviolent resistance.
Some of the most influential jazz musicians to ever play an instrument recorded on Blue Note Records, founded in 1939 by Alfred Lion and Max Margulis, with Francis Wolff joining with them shortly afterwards.