The Jazz Foundation of America’s annual fundraiser held at the Apollo Theater (253 W. 125th St.) is one of the most varied musical events in Harlem.
Cecil Taylor, the pianist whose music was an intentional sound of revolutionary freedom, died April 5 at his home in Brooklyn. He was 89.
April is Jazz Appreciation Month throughout the world, and the big celebration day is International Jazz Day. Held April 30 and implemented by the United Nations Educational, Scientific and Cultural Organization in 2011, it highlights jazz and the diplomatic role it has played culturally throughout the world.
The 2018 Uncharted Concert Series, now running through May 12, is one of those unique jazz experiences multilayered with an assortment of possibilities to be explored.
St. Nick’s Pub had been a resounding jazz voice since its 1940 inception. It was known as Luckey’s Rendezvous, owned by Charles Luckeyeth Roberts, a pianist, composer and band leader.
If music were mandatory, everyone would be required to listen to Henry Threadgill’s music at least once or see him perform live.
Harry Belafonte’s life is a compilation of artistic and political channels that has affected America and the world—from his days of being dubbed “the king of calypso,” with a string of hits including his signature “Day-O” renamed “The Banana Boat Song” before its 1950s release.
Now through Oct. 1 Jazz at Lincoln Center’s Coca-Cola Generations in Jazz Festival is in full effect.
Hearing of Dick Gregory’s death on Aug. 19 was a real shocker. And pondering the fact that he was a vegetarian and so aware of living healthy, it just seemed impossible he would leave us at the age of 84.
Billy Hart is a stalwart drummer whose reputation is as noteworthy as a luminous full moon.
Jazzmobile’s Summerjazz fest, Great Jazz on the Great Hill, in Central Park, Aug. 5, 4 p.m. to 7 p.m., is a rainbow jazz combustion.
When you attend a concert of the multireed player and flutist Rene McLean, his music will ascend the boundaries of the hard bop American tradition.
These days the only time you hear about Miami is in a political context on those rare occasions “the Orange Barron” visits from the “Crazy House” to cajole his loyal Cuban Republican supporters.
The drummer Mickey Roker, whose distinctive groove placed him on the first-call list for such musicians as Sonny Rollins, Horace Silver, Tommy Flanagan, Herbie Hancock and Ella Fitzgerald, died May 22 in Philadelphia, where he had resided for many years.
During the 1920s, rent parties were considered the hipper happenings of Harlem.
This year’s Vision Festival 22 runs now through June 3 at Judson Memorial Church (55 Washington Square South, in the West Village).
When discussing the tenor saxophone’s soul or its rhythm and blues swing vernacular, it is necessary to bring both Gene Ammons and Sonny Stitt into the conversation.
The multi-saxophonist, flutist, composer and arranger T.K. Blue has an unwavering sound that grew out of his parents’ Afro-Caribbean roots.
Those now controllable frenzy-dancing salsa fans will always have explosive memories of the master Afro-Caribbean and salsa master Eddie Palmieri during his days leading his Conjunto La Perfecta (1961), his album “Azucar Pa Ti” (“Sugar for Me”), which is in the Library of Congress, and his collaborations with Cal Tjader.
International Jazz Day will be celebrated as far away as Antarctica. The continent that contains 90 percent of all the ice on the planet and is the coldest. No fear. We hear the penguins have put together a dynamic bebop band for the occasion.
When Greg Lewis (aka Organ Monk) plays the Hammond B-3 electric organ, it takes on the lively colors of soul, R&B and jazz with the accompaniment of electric guitar and drums. He has been swinging with this hip hypnotic style for more than half a century.
Bob Cunningham, the consummate bassist and composer whose deep rhythmic sound became sought after by such bandleaders as Gary Bartz, Dizzy Gillespie and Frank Foster, died in New York April 1.
When I learned that this humble man of fortitude who was an integral force within the long battle to end apartheid in South Africa died March 28, in Johannesburg, it was a very sad moment for me. He was 87.
The Wilbur Ware Institute will celebrate the trombonist, composer and arranger Slide Hampton’s 85 birthday April 1, at the Bogardus Mansion, 75 Murray St., in the Tribeca section of Manhattan.
Although most jazz festivals have a difficult time just trying to keep jazz as their focal points, the Panama Jazz Festival, founded by the pianist and composer Danilo Pérez, has the perfect formula that brings music education to students, Panama’s colorful music history and great jazz performances for people of all ages from around the world.
Chuck Berry, the dynamic guitarist and songwriter, whose unique singing style crossed all genres and put the R in rock and roll with such hits as “Sweet Little Sixteen,” “Maybellene” and “Johnny B. Goode,” died March 18 at his home in St. Charles County, Missouri. He was 90.
Rudy Lawless, the consummate drummer whose definitive style earned him chairs in the bands of such notables as Andy Kirk, Blue Mitchell, Hank Jones and Roy Eldridge, died Feb. 21 in Manhattan at the Bellevue Hospice.
Dave Valentin, whose undeniable versatility as a flutist ignited Latin music and the movement of Latin jazz, died March 8 at a rehabilitation and care facility in the Bronx
Only a few days remain to see the dramatic tour de force one-man show “Adam,” performed by Timothy Simonson.
Great bands are known for their perfected sound and a swinging style that is so undeniable.
Feb. 25, The Apollo Theater presents “AFROPUNK Unapologetically Black: The African American Songbook Remixed, A Celebration of Black Protest Music” at 7:30 p.m.
Al Jarreau, the only vocalist to win Grammys in pop, R&B and jazz through his deep sea of versatility, died Feb. 12 in Los Angeles.
As part of Black History Month, the National Jazz Museum in Harlem will present Desert Island Discs with the trumpeter/composer Nicholas Payton (tonight) Thursday at 7 p.m.
Chuck Stewart, whose portraits and improvisational photographs are recognized at a glance similar to identifying a Coltrane tune after a few notes, died Jan. 20, in Teaneck, N.J.
Like his fellow native Brooklynites (Cecil Payne, Max Roach and Randy Weston), the pianist Ed Stoute wears his Brooklyn badge of honor with distinction as he celebrates the jazz tradition with spirited inspiration.
The annual International Jazz Plaza de la Habana attracts musicians from around the world.
The Jazz Gallery, known for introducing its audiences to exciting young guns and those musicians who refuse to follow the Merriam-Webster definition of a “conformist”, will present its Inaugural Jazz on Film Festival Jan. 6 and Jan. 7.
This New Year of 2017 behooves every citizen to be active, stay vocal and remain vigilant. For such a diligent task, mandatory indulgence in some serious partying until the stars rattle in the sky and that cow refuses to jump over the moon.
Bob Cranshaw, the versatile bassist whose great sound led him beyond the regions of jazz and his long musical relationship with Sonny Rollins to “Sesame Street” and to being a regular pit member in Broadway shows, died Nov. 2, at his home in Manhattan. He was 83.
The holidays are in bloom with joyous events taking shape like a dashing Harlem reindeer.
Jimi Hendrix, the most influential guitarist in rock music history, who distinctly added to the genre’s then speeding comet with his electrifying brand of blues and funk, will be celebrated at the Apollo Theater Nov. 26, one-night only, with two dynamic performances at 7 p.m. and 11 p.m.
The influential Cuban musicians who introduced Latin sounds and Afro-Cuban rhythms to New York City began in the late 1930s, with the trumpeter and bandleader Mario Bauza, Machito’s foster sister and vocalist Graciela in the 1940s and Chano Pozo.
No one swings harder than Lou Donaldson on the alto saxophone, as he demonstrated last week celebrating his 90th birthday at Dizzy’s Club Coca Cola. As usual, his smooth performance required multiple standing ovations, including one as he took the stage.
As the Black Panther Party celebrates its 50th anniversary throughout the United States, Bobby Seale recently stopped at the Schomburg Center for Research in Black Culture. He mesmerized an enthusiastic audience with corrected untruths and future goals for the people.
Trio 3 is a collaborative of iconic explorers and renowned bandleaders that include the bassist, composer Reggie Workman, the saxophonist, composer and arranger Oliver Lake and the drummer Andrew Cyrille, who over the past six decades have defined the music on their own terms.
The bold tone of tenor saxophonist Chico Freeman and his compositions keep his music glowing on the jazz rainbow.
While waiting for my Monterey flight in the Los Angeles Airport, I noticed a familiar person sitting quietly to my left.
Craig Harris, the trombonist, composer and arranger, is an innovative musician constantly exploring the realm of this music, which is easily experienced through his two diverse groups, The Tailgaters Tails and Nation of Imagination.
Stage presence has always been a questionable affair when it comes to jazz musicians.
With “Counting Descent,” writer, teacher, Harvard Ph.D. candidate and award-winning poet Clint Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates Black humanity while living in a world that often renders Blackness a caricature.