It has been awhile since Ntozake Shange’s paradigm-shifting “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf” exploded onto the theatrical scene in 1973, introducing a provocative new voice and unique genre—the choreopoem.
The power of dance to unite and inspire us while shining a light on important issues will take center stage when the Alvin Ailey American Dance Theater explodes onto New York City’s Center Stage (Nov. 30- Dec. 31) with a sizzling mix of thrilling dances, awesome dancers and mesmerizing music, all of which promise to warm your heart and make your soul dance.
Nov. 16, the famed Netherlands Dans Theater swings into New York’s City Center for a brief season (Nov. 16-19) that highlights the qualities that earned it an international reputation for pushing dance’s boundaries, namely, bold repertory and what one critic called “the world’s most magnificent dancers displaying a retina-shredding sxpectacle of passion and power.”
Misty Copeland’s performance at American Ballet Theatre’s fall 2016 Gala Thursday, Oct. 20, was a delightful display of classical ballet at its most technically challenging and musically responsive.
Since 2005, home for the Alvin Ailey American Dance Foundation has been a sleek, glass-enclosed building on the northwest corner of West 55th Street and Ninth Avenue in Manhattan known as the Joan Weill Center for Dance.
An unusually large number of young gifted Black dancers and choreographers are among the recently announced recipients of the coveted 2016 Princess Grace Awards.
Thursday, Aug. 11, more than 100 youngsters will take the stage at Hostos Center for Arts & Culture for a festive performance that caps their six-week summer at CAS/AileyCamp New York.
“Maurice Hines Tappin’ Thru Life” is back! That delicious jazz- and tap-filled musical treat that enjoyed a limited Broadway run earlier this year is coming to Lincoln Center’s Damrosch Park July 28, for one night only.
This year, American Ballet Theater’s spring season marked a historic milestone. It was the first full season for the first African-American principal ballerina in that company’s 75-year history, Misty Copeland.
Choreographer Camille A. Brown stands in front of a group of Black women and girls who are hanging on her every word and movement.