“Everything Is Fine Until It’s Not” is a heartfelt comedy about Doreen, a workaholic film producer whose life goes off-script after her son is diagnosed with autism.
I remember how excited I was when it was first announced that Norm Lewis was going to be cast as the Phantom in “The Phantom of the Opera,” on Broadway, making him the first Black man to play the role ...
Sydney James Harcourt is now in the role of Aaron Burr, which is the very same role that earned Leslie Odom Jr. a Tony—this year—and Harcourt is brilliant as Burr.
“Motown the Musical” is back on Broadway. It’s a completely engaging, soulful trip down memory lane, mixed with serious moments that echo the discrimination that Blacks have endured in this country.
You will love “She Loves Me,” playing at Studio 54. This musical comedy is just a good time at the theater.
In the audience, you get to experience a captivating story, phenomenal singing and some of the most stunning, graceful and lovely acrobatics you’ve ever seen.
Beauty of motion. Power in the sublime. An athlete poured into the body of a dancer.
There is beautiful movement, live music and a good deal of theater in Edisa Weeks’ “To Begin the World Over Again” (Gibney Dance, Agnes Varis Performing Arts Center, June 30 to July 2).
Sadly, it wasn’t too long ago that Hispanics on Broadway were as easy to spot as a unicorn, prancing in a purple passion jumper.
"Hamilton" and "The Color Purple" win big at the Tony Awards as diversity shines.
"Hamilton" may have failed Sunday night at the 70th annual Tony Awards to clinch the most awards ever won, but the smash-hit musical still helped make history.
Watching “Skeleton Crew” is like seeing a slice of life. “Skeleton Crew” is theatre at its best—a prime example of how theater imitates life.
We all know by now that once Memorial Day weekend sets in, all bets are off, and it’s summer.
Dance in June is full. Be sure to see the many festivals in and around the tristate area.
Alvin Ailey American Dance Theater Artistic Director Robert Battle has announced the program for the company’s two-week Lincoln Center season, June 8-19, and it is a jam-packed choreographic grab bag featuring more than a dozen works on five different programs.