“Miracle in Rwanda,” playing on Theatre Row on 42nd Street, tells the story of one young woman’s struggle. It is a moving, at times heart-wrenching, and inspiring story.
“Ain’t No Mo’” is a tour de force. Playwright and star Jordan E. Cooper, a fresh new voice on the New York Theater scene, has created a theatrical masterpiece.
I had the absolute pleasure of interviewing the one-and-only Ben Vereen recently, as he was getting ready to perform April 4-7 at Dizzy’s Club at Jazz at Lincoln Center.
“Choir Boy,” a brilliant, compassionate and touching work by African-American playwright Tarell Alvin McCraney, is a colossal theatrical experience! McCraney is making an explosively impressive Broadway debut.
Hello my people. You only have until Feb. 17 to see “Behind the Sheet,” a powerful story that sheds a blaring light on a story most of us are not familiar with, but that needs to be told!
“Network” is a fascinating multimedia experience where the audience gets to realize the over-exaggerated role television plays in the lives of everyday people.
Aug. 26, 2018, will forever break my heart. The president of AUDELCO, Grace L. Jones, died on that day at the age of 90, after being at the helm of the organization for many years.
The year 2018 was a year I will never forget in Black theater.
I remember telling him that this play was such a powerful piece of theater, and his direction was so precise and so stunning that the story just moved me so.
Have you ever witnessed a production and thought, “This is so moving, so impressive, so stirring and informative – this is something that can educate people and make them realize their power"?