Have you ever experienced a theatrical work that had you deeply mesmerized and completely engaged? One where you knew you were witnessing something unique, brilliant, creative, and powerful, something that would leave an impression on you and hopefully on us as a society? Well, that’s what I experienced with “The Brothers Size,” a deep, unique, powerful, incredibly moving story created by Tarell Alvin McCraney. Using two brothers, Ogun and Oshoosi Size, McCraney examines not only how complicated a relationship between brothers can be, but also looks at what happens to a Black man when he is incarcerated. Through the characters of Oshoosi and Elegba, an ex-con who was in jail with Oshoosi, we learn what terrors Black men face in the prison system, and what constant injustices they face in the outside world after they have paid their debt to society.
McCraney does something which is, to me, revolutionary: he makes his characters their own narrators, as they describe an action they are about to do and then do it. This truly is a very engaging practice and works to enhance the humor, hardship, and passions of these two brothers. You also get to see, through each brothers’ eyes, his role in the relationship — from the older brother Ogun who is expected to look out for and steer his little brother, Oshoosi, in the right direction, to the younger brother who admires his older brother, but will still do whatever he wants though he knows it will lead to trouble. This play truly brings to life the belief that you are your brother’s keeper, but the question is, to what extent and when is the brother you are trying to keep safe supposed to take responsibility for his actions?
I love how McCraney sets the story up; his words are so vivid and the actors so focused in their actions, gestures, and delivery that you find yourself visualizing the actions clearly, even when no props are used. The actions are performed in and around a circle on the floor of this intimate theater at The Shed, located at 545 W 30th Street and 11th Avenue. McCraney manages to beautifully and poignantly intertwine Yoruba culture and stories of the gods with these human characters.
Andre Holland is exquisite as Ogun. He is a big brother who has constantly looked out for his little brother and has at times been the fall guy for his brother’s actions. Holland is a powerhouse in the role, which he delivers this role with such passion, frustration and compassion, he will truly move you. Alani ILongwe is absolutely stunning as Oshoosi. His character has had so many feelings that have built up inside of him. He has insecurities and terror that no one should have to experience. However, he is also a caring soul. Malcolm Mays is intoxicating as Elegba, a very complicated character who has more to him than meets the eye. Mays portrays this character with tremendous heart and passion. This trio works perfectly well together. The three actors are accompanied on the stage by musician Munir Zakee.
I think it is so amazing that McCraney is not only the playwright behind this masterpiece but is also a co-director with Bijan Sheibani. The technical team for this piece includes Spencer Doughtie, lighting design, Adam Honore, original lighting design, Juel D. Lane, choreographer, Stan Mathabane, sound design and composer, Suzu Sakai, scenic design.This is a play you must experience, but get there early, as the intimate nature of this theater setting is not the best for late seating. For tickets to this very commanding and gripping play, visit theshed.org.