“The Pass” playing at La Mama (E. 4th Street) shows an interesting take on the world of professional soccer and the price that one may have to pay to make it in the business. Playwright John Donnelly looks at two friends who compete for the last spot on a professional team. What these young men had between them was much more than just wanting a place on the team — there was a tension, a desire that they had for each other, but not for the same reasons.
This play makes you wonder about the price of being successful and famous while burdened with being a husband and father who never sees their spouse and kids; or to having rumors fly that young boys are often brought to your room. When a person tries to best everyone they come into contact with, and they have no bounds about what they won’t do to maintain their position, can they ever really be happy? Is the person who did not make the professional cut and went on to have a “normal” life the more successful of the two?
When you are famous, is there anyone you can truly trust? If everyone wants a piece of your fame, to what lengths will they go and to what lengths will you go to promote wild stories about your behavior? What is the cost of denial of your true sexuality? This play poses the question: What does masculinity look like?
There is a lot going on in this drama and the small cast play their roles very well. Matisse Ratron-Neal is heartless, ambitious, and confused as Jason. Terry Bell is poignant and captivating as Ade. Ino Badanjak is memorable as Lyndsey. Oliver Rowland Jones is unforgettable as Harry.
Donnelly’s story is stunningly directed by Max Hunter. The production has detailed scenic design by Seth Byrum, lighting design by Cheyenne Sykes, costume design by Amanda Roberge, sound design by Megan Culley, prop design by Thomas Jenkeleit, and video design by Dwight Bellisimo.
The production is presented by the Max Hunter Company and playing through September 18. For tickets, visit themaxhuntercompany.com.
